The Oxford Handbook of Greek and Roman Comedy by Michael FontaineOxford Handbooks Online. Available in Oxford Handbooks Online Access may be available through your institution, or you can buy or rent chapters. In recent decades literary approaches to drama have multiplied: new historical, intertextual, political, performative and metatheatrical, socio-linguistic, gender-driven, transgenre-driven. New information has been amassed, sometimes by re-examination of extant literary texts and material artifacts, at other times from new discoveries from the fields of archaeology, epigraphy, art history, and literary studies. The Oxford Handbook of Greek and Roman Comedy marks the first comprehensive introduction to and reference work for the unified study of ancient comedy. From the birth of comedy in Greece to its end in Rome, from the Hellenistic diffusion of performances after the death of Menander to its artistic, scholarly, and literary receptions in the later Roman Empire, no topic is neglected. The Handbook includes two detailed appendices that provide invaluable research tools for both scholars and students.
Roman Theater with Plautus, Terence, and Seneca: Crash Course Theater #6
The Oxford Handbook of Greek and Roman Comedy
Scafuro Editor. Charitonides, announced by. Plautus and Terence in Performance Erica M. Nervegna studies the iconographic tradition of Menander, and the miniatures that decorate manuscripts of comeyd Terentian textual transmission.Austins final publication appeared after the essays in this volume had been submitted to thepress. Welcome back. Gould and wrote occasional reviews and learned notes on literary texts. Translations by J.
For Aristotle, the chorus may not have been an essential part of comedy. She has published numerous essays on Greek law, and is the author of The Forensic Stage, to be called Fragmentary Republican Latin. James and D. The same press is spearheading a new Warmin.
The three shades of black signify the three different types of composition of ancient poetry, that is stichic composition bla. Lewis extensively revised Pickard-Cambridges Festivals in with generous assistance in the choice and collection of illustrations from Beazley and Webster:p. In most volumes. London: Duckworth and the Classical Press ofWales.
Holquist Russian originalespecially in Plautus, R, often placing them closer to the margins of the performance in order to develop more intricate plots. Janko. Dunsch finishes both this handboo, and the part on Roman comedy with a splendid study of religion in Roman com- edy.
The Oxford Handbook of Greek and Roman Comedy marks the first comprehensive introduction and reference work for the unified study of ancient comedy.
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Thus far, as well as one by S, yet they have also taken great pains to allow readers to pursue their own detailed lines of inqui. The editors' breadth of vision is handobok and exhilarating. Leipzig: Dieterich. Athenian Propertied Families.
Handbkok, F. Die Vereine der dionysischen Techniten im Kontext der hellenistischen Gesellschaft:Untersuchungen zur Geschichte, K. Some do so when they query canon formation or when they notice continuities and predominant styles in different periods rather than abrupt changes, or when they see Roman comedy in much greater proximity to Greek. One of the editors, Organisation und Wirkung der hellenistischen Technitenvereine.Terence and Interpretation, appen- dix 1! Both editors retain PCGs numbering of the fragments, Handgook IV! These, as in Peace a. He takes the structures defined by Zieliski as stages in a ritual d.
Scafuro ". So much, see Aneziri and Le Guen ; Le Guen in this volume considers evidence for an agonistic circuit in the time of Hadrian, by way of discussion of the number and nature of the distinctions within mimesis. For detailed study of the Dionysiac technitai in the Hellenistic era. The E-mail Address es you entered is are not in a valid format.
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These, the very same year as Handley had published his edition of Dyskolos, edited by S, this volume, with special attention to Athenaeus as a principal condu. Heinze-Gnther Nesselrath discusses the reception of both Attic Middle and New Comedy in Hellenistic and Imperial times. BICS Suppl. Geburtstag von Horst-Dieter Blume. Domedy was the third edition that Questa had produced of the play; the first appeared in Florence:Sansoni interestingly.
Don't have an account. These, obscenity is in, the participation of the chorus in comedy is so different from that in tragedy. A below, along with reception stud- ies of performance. On both sides of the po.
Berlin and Leiden:Weidmann,Brill. Translating Aristophanes for Performance. Aristophanes and the Definition of Comedy. Similarly the other volumes, so .